A Summer of Kings Read online

  A Summer of Kings

  Han Nolan

  * * *

  HARCOURT, INC.

  ORLANDO AUSTIN NEW YORK

  SAN DIEGO TORONTO LONDON

  * * *

  Copyright © 2006 by Han Nolan

  All rights reserved. No part of this publication may be reproduced or

  transmitted in any form or by any means, electronic or mechanical,

  including photocopy, recording, or any information storage and retrieval

  system, without permission in writing from the publisher.

  Requests for permission to make copies of any part of the work should be

  mailed to the following address: Permissions Department, Harcourt, Inc.,

  6277 Sea Harbor Drive, Orlando, Florida 32887-6777.

  www.HarcourtBooks.com

  Library of Congress Cataloging-in-Publication Data

  Nolan, Han.

  A summer of Kings/by Han Nolan.—1st ed.

  p. cm.

  Summary: Over the course of the summer of 1963, fourteen-year-old Esther

  Young discovers the passion within her when eighteen-year-old King-Roy

  Johnson, accused of murdering a white man in Alabama,

  comes to live with her family.

  [1. Race relations—Fiction. 2. Civil rights movements—Fiction.

  3. African Americans—Fiction. 4. Black Muslims—Fiction. 5. Family life—

  New York (State)—Fiction. 6. Westchester County (N.Y.)—History—

  20th century.] I. Title.

  PZ7.N6783SUIT1 2006

  [Fic]—dc22 2005019487

  ISBN-13: 978-0-15-205108-2 ISBN-10: 0-15-205108-2

  Text set in Sabon

  Designed by Cathy Riggs

  C E G H F D

  Printed in the United States of America

  This is a work of fiction. All the names, characters, places, organizations,

  and events portrayed in this book are products of the author's imagination

  or are used fictitiously to lend a sense of realism to the story.

  * * *

  For Brian, with love

  * * *

  ACKNOWLEDGMENTS

  A thousand and one thanks to my husband, Brian, for all the things he does daily to keep me and my writing moving forward in the right direction. Thanks to my brother, Mike Walker, for the music and the memories. Thanks to my readers for their time and encouragement: Brian Nolan, Adrienne Nolan, Lee Doty, Faye Gibbons, and Ann Dorer. Thanks to Rachael Nolan for the daily calls—always a lift to the spirits. Thanks to my agent, Barbara Kouts, and my editor, Karen Grove, for all the time and energy they put into turning my stories into books.

  ONE

  Last summer a murderer came to live with us. Well, that's what I had called him. Our neighbor Pip and my Auntie Pie called him the cold-blooded killer, but my mother and father said he was just a victim of prejudice and circumstance. King-Roy Johnson, a black boy just 18 years old, was accused of killing a white man down in Alabama. Before anyone could catch him, though, this King-Roy escaped up here to New York, and, with instructions from his mother, who was once best friends with my mother, ended up at our house in Westchester County.

  He arrived on a Friday, a day later than we had expected him. He came while my mother was still in the city, at the theater with my brother and sister, who were auditioning for a Broadway musical, and while my father, a director, was at another theater with one of our houseguests, Monsieur Vichy, the snooty avant-garde playwright who hated me most particularly. Our other houseguest, Beatrice Bonham, the actress, was sleeping off a doozy of a hangover after giving her final performance of Jubilatin'!, a really, really terrible play, and one that I had to sit through five deadly long times.

  Friday was also the day that Auntie Pie, Pip, and I were out scooping up dead squirrels off the road for a couple of injured hawks Auntie Pie had rescued. My mother always disapproved of these outings, saying to Auntie Pie and me more than once, "Do you want the people in this town to think you're crazy? Do you want them to think we're all hillbillies; that we eat those disgusting things?" Which is why we only went out when my mother was away and couldn't lecture us.

  We drove the old 1947 Ford Super Deluxe station wagon, another reason why we snuck out when my mother wasn't looking. The wagon was my father's old car, and he treasured it because he had purchased it with the money he made from his first hit play, but Mother believed we looked like beach bums in that car. "It's unseemly for us to be seen riding around in that broken-down bus," she told me once. "I wish your father would burn that thing!"

  Broken-down bus was right. The car only ran backward and the passenger door swung open whenever it made a sharp turn, forcing the person inside to hold on to the open glove compartment for dear life. It was the only car Auntie Pie could drive without having to worry about causing too much damage, though, so off we went, traveling backward down the street, past the many stately homes on either side of us, barely missing hitting drivers in their shiny new station wagons and sedans heading in what most people would call the right direction, as we kept a lookout for dead animals.

  We were in the early days of our summer vacation, and I felt in great need of a new adventure. I looked at the two dead squirrels in the box that sat between Pip and me; looked at same-old Pip-squeak, the boy who lived across the street and was in my class at school, which made him a year younger than I was because I had stayed back a year; looked at Auntie Pie, sweating and twisted around in the driver's seat trying to drive in a straight line even though she was legally blind and wore eyeglasses three inches thick, and I thought, This is not the adventure I'm wanting to have.

  Every summer of my life had been the same, whether we vacationed in Europe or at home. In Europe everybody in the family got to go on sightseeing trips and have adventures while I stayed in the rental apartment and got tutored so I would be sure to pass all my subjects the following year. If we stayed home during the summers, my younger sister and brother acted in plays or in television commercials or went to a smarty camp while I got tutored so I would be sure to pass all my subjects the following year. Ever since I had stayed back in third grade, Mother had demanded this extra insurance that my summer tutoring provided her, but for me it only made my school year long and boring since I had already galloped through the same subjects the summer before. The only difference for me between a summer in Europe and a summer at home was that at home I had Pip.

  Pip thought he was in love with me. He has been in love with me, he said, since he was four and I was five and his mother put us in the bathtub together to bathe us after an exciting morning creating mud pies and throwing them at each other. He told everyone at school that we've bathed together, which is one of the many, many reasons I was not in love with him.

  That hot, fifth day of July in 1963, sitting in the backseat of the 1947 Ford Super Deluxe station wagon with all but one of the windows stuck shut, in the first summer vacation in forever that I didn't have to be tutored, I decided that this would be the summer of a new me, a more mature me, a more mysterious and exotic me, and I determined that our new houseguest, the murderer, was to play a starring role in my new life. So, when Auntie Pie backed into a spot on the side of the road somewhat near where yet another squirrel had been run down, and Pip and I climbed out of the steamy car to go collect it, walking along the road all the local college students used whenever they walked to town, I told Pip about my plan.

  "This murderer, this King-Roy Johnson, he's only 18 years old," I began.

  "Yeah, I know. So?" Pip said.

  I swept my damp bangs out of my eyes and said, "So, he's just four years older than I am."

  "Well, bully for him. So what?" Pip looked irritated. His dark brows bunc
hed together and he clenched his jaw so hard I could see the muscle popping in and out on the side of his face. Anytime that morning that I brought up the subject of the murderer, Pip made the same face.

  "My mother and father are four years apart, too," I said. "Mother says a four-year age difference in a couple is just right since men mature a lot slower than women."

  Pip swiped the sweat off his forehead like he was trying to mash an insect and fling it, then said, "What are you getting at, Esther? You think you and this cold-blooded killer are going to become a couple? He's a Negro and a cold-blooded killer. Are you crazy?"

  Pip looked stunned by the idea of it all. His small face and big ears always reminded me of a koala bear, and right then, with his deep-set dark eyes blinking behind his glasses and his mouth open, he looked like a koala bear that had just fallen out of its tree.

  I shrugged. "I don't know. He sounds exciting to me, and exotic. Don't you think?" I loved using the word exotic. I felt exotic just saying it.

  A couple of college girls with perfectly flipped hairdos, looking fresh in their brightly colored sundresses, walked by, and Pip waited a few seconds to let them get out of hearing range, then said, "You think you're going to fall in love with him? With a killer? You can't plan love. It's not a road trip, you know."

  We had reached the spot where the squirrel lay flattened and dry upon the side of the road. I heard one of the girls who had passed us, say, "Oh, cool, look," and I knew she had noticed our car. All the college kids loved the 1947 wagon, and over the years several of them had offered to buy the car from my father, but my father always said no. I smiled to myself when I heard the girls behind us strike up a conversation with Auntie Pie.

  I wiped the sweat from under my eyes and watched Pip pull a trowel out of the back pocket of his baggy African safari shorts and stoop down to pick up the squirrel. Then, with the dead squirrel lying on the trowel held out in front of him, he looked up at me through his heavy-framed glasses and said, "Love is an affair of the heart, Esther." He put his free hand, the one without the garden trowel in it, up to his heart and said, "Love is a tender thing, not a game, not a toy."

  I held out the squirrel box and sang "Love Is a Many-Splendored Thing" in my most dramatic voice, and Pip stood up and dumped the squirrel in the box with a thud, then marched off toward the car without saying anything.

  I ran after him. "What? I was just kidding."

  Pip stopped and turned around. He was only four feet ten inches tall, although he claimed he'd grown two more inches; but even so, that still made him four inches shorter than I was, and standing as close as we were, he had to look up at me, which he always hated doing. He backed up a little and said, "You were kidding about going after that ... that killer?"

  "No. I was kidding with the song. I'm serious about the murderer. I'm already partly in love with him, anyway."

  Pip ran his fingers through his hair, pushing his short bangs off his forehead so they stood straight up, and said, "Esther, you haven't even met him."

  I nodded. "That's what's so romantic about it. I've fallen in love with his story, with the story of him, not how he looks." I said this but it wasn't exactly true. I had fallen in love with the idea of falling in love with him, but it was almost the same thing, and anyway I had liked the reaction I had gotten from my girlfriends when I told them about my new love over the phone the night before. Kathy and Laura were both over at Laura's house packing for their summerlong trip to Nantucket. I had only just then found out about the trip, their secret special trip, and that's when I got the idea about being in love with King-Roy.

  Kathy and Laura had ganged up on me over the last weeks of school. They told me I acted more like a twelve-year-old than a fourteen-year-old and they claimed we didn't have anything in common anymore. They said they were boy crazy and I wasn't, and they complained that I didn't even carry a purse, as if that had become the major determining factor for friendships.

  Well, I had showed them. I told them not to be surprised, when they got back, if I was engaged to be married, and I hung up the phone with them trying to shout out one last question before I did.

  I looked at Pip, standing in front of me in his dingy track-team T-shirt he was so proud of and his baggy shorts stuffed with postcards and letters from his many pen pals, looking so out of place with the fantasy of romance playing in my mind, and I said, "Yes indeed, I've fallen in love." Then I looked off into the distance and said, "We're going to have an exotic and enlightened romance, King-Roy and I." I liked the sound of that whole sentence, so I said it again, this time looking straight at Pip. "Yep, an exotic and enlightened romance. A ... a romance for the times," I added, feeling inspired.

  Pip looked back at me through those thick-rimmed glasses of his with such a pained expression it was as if I had just kicked him in the shin.

  "What?" I said when he just stood there, with that sad face, not saying anything.

  "Do you enjoy hurting me?" he asked. "Do you like hurting my feelings?"

  For a second I felt ashamed of myself. Then I came to my senses and said, "You know you don't really love me, Pip. Not romantically. We've never even kissed, unless you count when we were in the first grade and played house out on the playground."

  "It isn't because I haven't wanted to, that's for sure," Pip said.

  Auntie Pie honked the horn—the one thing on the car that always worked—and I waved to her. "Just a second," I shouted, noticing that the college girls had left. Then returning to Pip, I said, "You just like saying you're in love with me so you don't have to face rejection from every other girl in the school. You think that as long as you can tell yourself and everybody else that you like me, then you don't have to think of yourself as a pip-squeak loser. You're using me, Pip, and I allow it because I like you, but don't act like it's for real. And don't condemn me because I say I'm in love with someone else. I've moved on and maybe it's time you did, too. It's time you grew up."

  As I was speaking, Pip's face got redder and redder, and he blew his cheeks up as if they were full of water. Then he let loose with a big burst of air and said, "You know, it's times like this that I don't even like you, let alone love you. Not even a little bit." He squinted up at me. "When did you get so mean, Esther? When did you get so heartless?" And with those words, he threw the trowel on the ground and marched off down the road past Auntie Pie, who honked at him and shouted, "Hey!"

  I stooped down and picked up the trowel and called after him, "I was only telling you the truth for your own good. I didn't say no girl would be interested in you; I said you thought no girl would be interested in you. I said you thought you were a pip-squeak loser."

  Didn't I say that? I wanted to think about this, but Pip was getting away. I shouted, "I wasn't saying I thought that. Pip! Jonathan! Come on."

  I trotted after him, and Auntie Pie honked at me and yelled out the one window that worked, "Get in the car already; I'm burning up in here," when I passed the car, but I kept on going.

  Auntie Pie started the engine and backed the car up and followed me while I followed Pip, who had started to run.

  "Have fun with your colored boy," he called back to me. "Have fun with your cold-blooded killer, Esther." He stopped and turned around and walked backward so that with Auntie Pie driving backward and him walking backward, I was the one who looked out of place. I stopped walking and Auntie Pie pulled up beside me.

  "Hey, just remember to invite me to your wedding, okay?" Pip said. "Would you do that? Invite me to your wedding? 'Cause that I've got to see." Pip jabbed his index finger in the air for emphasis, and then, jerking his head sideways as if his neck were in sudden spasm, he said, his glance returning to me, "You know, why would anybody be interested in you? Huh? Did you ever think that maybe I pretended to be in love with you because I knew no one else liked you?" He stopped walking and brushed at his eyes a second. Then he said, "All the guys make fun of you. You may be cute and all with your big brown eyes and all those freckles and you
r so-called million-dollar smile your old grandfather's always going on about, but like your parents said, you're not photogenic, and anyway, you're a ... a goofball. Yeah, that's right." Pip nodded to himself and started walking backward again. "You're always saying the wrong thing and knocking into people and making a total fool of yourself, and your hair is always in tangles like you just came out of the jungle or something. The guys make fun of the mass of knots in your hair you think you're hiding with that headband."

  I put my hands up to my hair and adjusted my new pink headband. "That's not fair. You know I have trouble keeping the tangles out. It hurts. You know blond heads are more sensitive."

  Pip wasn't listening. He said, "Didn't you ever think that maybe I was protecting you? Huh?" He was still walking backward, and when he said "Huh," he tripped and fell back on his bottom. He popped up again like it didn't happen and said with his voice cracking, "Think about that, why don't you. You made me say it. You made me tell the truth. How's it feel? How's it feel, Esther?"

  Pip turned back around and ran off so fast that he was out of sight before I could even think of a response.

  Finally one came to me.

  "Oh yeah?" I shouted back.

  TWO

  "Now, what was that all about?" Auntie Pie wanted to know when I climbed back in the car with the box of dead squirrels in my arms.

  "Oh nothing," I said, even though my heart was pounding and my stomach was churning. Pip and I almost never fought. We were best friends, really. Pip was the only reason I even survived staying back in the third grade. Everybody else made fun of me and called me lame brain, or moron, but not Pip. The first day of school, he took my hand and we walked together to Mrs. Mahoney's class and Pip walked right up to the teacher and said, "I'm Jonathan Masters. My father is the president of the college, and this is Esther Young, and we want to sit together."